The Red Desert Project installed 2.5 billion grains of red desert sand on the floor of an urban gallery for city-dwellers to walk barefoot and be ‘out there’ in the emptiness. This immersive exhibition was integral to my studio-based Master of Fine Arts degree at COFA, UNSW. The images are video stills from HD video projections. Left: Moonlight Sonata (Simpson Desert, SA); Centre: Gibson’s Compass (Simpson Desert, SA); Right: Alchemy of the Sun (Lake Disappointment, Little Sandy Desert, WA) > See MFA14
2014-06-02 in Abandon, Absurd, Firenze, Invisible, Landscape, mapism, moonstruck, Music, Perspective, Place, Sand, Scale, Science, Shadows, Surreal, Video Stills
Tagged 'out there', 'The Red Desert Project, billion grains of sand, emptiness, Lake disappointment, Little Sandy Desert, materiality, moonlight, moonlight sonata, red, red sand, Simpson Desert, urban dwellers
May 6: Postcard: Michaelangelo’s Cave: Sculptor Lea Ferris sent me a postcard of the quarry in the Apuan Alps near Pietrasanta, Tuscany, Italy, where the marble for Michaelangelo’s David 1501-04 and other white marble sculptures was mined. I love the steep slopes, texture and zig-zag road… and memory of place
May 6: POSTCARD: Michaleangelo’s Cave after digging in Photoshop > Filters > Stylise > Find Edges
Posted in Abandon, Absurd, cubism, Firenze, mapism, Perspective, Place, Sculpture, Shadows
Tagged "Apuan Alps", "Michaelangelo's Cave", "zigzag road" zigzag, marble, Pietrasanta, sketch, Tuscany
Video still from my Ground Series in Europe. The stairs at the exit to the Duomo Metro are sensitized to the sound frequencies of a piano.
Video still from my Ground Series in Europe. My aim was to show another perspective of Venice. How they deliver cargo to the city in the narrow canals and the way the reflections of the palaces and boats are distorted by waves and ripples. The camera was hand-held on the railing of the bridge, Ponte De Le Pignate.
Video still from my Ground Series in Europe: a low view across the snow covered gondolas with the teeth of the bow cutting through the scene like a knife, or waiting to pounce on unsuspecting passers-by. My aim is to explore perspectives that defy linear perspective lines of a single viewpoint
Video still from my Ground Series in Europe. The camera is sitting on the pavement in San Marco’s Piazza in Venice. My aim was to capture a low viewpoint, as if from the eye of a pigeon.
Movie still from my Ground Series in Europe. My aim is to fragment expected linear perspective from the ground viewpoint