- Julia Featherstone, Rebirth of Venus, 2018, Photo collage on canvas
- She’s the AI goddess who can see all the way to infinity
From my song: Atomic Goddess (Julia Featherstone / Peter Head).
Rebirth of Venus (2018)transmutes Botticelli’s mythical painting of Venus (1486) into the Age of Cyborgs – a goddess emerges from the sea after her own birth as a fully-grown woman. In this photo collage, the Goddess of Fertility transcends herself to mirror the Virgin Mary’s immaculate conception with two babies in the womb, exclaiming: ‘I’d rather be a cyborg than a goddess!’
A ceramic work that is part of a series about getting bogged and stuck in the Simpson Desert for 11 days, 3-13 September 2010. Alasdair Macfarlane drove over 12 kilos of Keane’s Stoneware33 clay wrapped in gladwrap.
I let the clay dry for 2 weeks, then bisque fired, circa 1,000 degreesC. Painted 3x glazes – Satin Black, Copper Red and Chun. Finally, Petra Svoboda, COFA ceramics, reduction fired the work in a gas kiln for 10 hours, circa 1280 degreesC. Big thanks to COFA ceramic lecturers, Jacqueline Clayton and Julie Bartholomew, for advice and help on how to realise the work.
Posted in Abandon, Absurd, Ceramic, Fracture, Landscape, mapism, Place, Shadows, Surreal
Tagged bodded, ceramics, claypan, Simpson Desert, stuck, tread, wheel
This image is part of my Optika Series of experiments with colour. This work involves the film lighting filters red and green.
Amazing work! A cube mirrored inside and outside with 3 circles cut into each side… reflecting the outside world….. looking through one of the holes, into an infinity of dots
My concept plan for the installation Beneath Horizons includes a mirrored ceiling. In this photo, I am standing at the bottom right of the frame, looking up at myself.